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Four Strings Book by Sal Maida – Expanded Third Edition

Shipping March 2024

PRE-ORDER NOW: FOUR STRINGS, Phony Proof, 300 45s, & Bottom’s Up by Sal Maida

Expanded 3rd edition of 300 with NEW 142-page Bottom’s Up section on Sal’s Top Bass Players of 1960-1970:

HoZac Books is proud to present Four Strings, Phony Proof, 300 45s, & Bottom’s Up, written by Sal Maida, one of the most interesting 1970s rock figures you just don’t know enough about. As a member of TWO such integral and ground-breaking 70s bands, ROXY MUSIC and SPARKS, not to mention NYC glam/power pop impresarios MILK ’N COOKIES, as well as studio work with the RUNAWAYS and Robert Calvert’s post-Hawkwind solo material, it’s no secret that Maida was in the right place at the right time, more times than we can count. His first book is presented here for the first time, along with his stash of personal UNPUBLISHED/UNSEEN photographs (including meeting Paul McCartney, George Harrison and Mick Jagger in 1969) on his first of many trips to the UK in the late 1960s, as well as many bands he witnessed in their embryonic states just as the monumental shift in music was taking place at the end of the psychedelic era. From his intricately-detailed stories about growing up in Little Italy’s protected confines, and his far-ahead-of-the-curve craze for record “collecting” before that was even a concept, this book takes you on a ride through Martin Scorsese’s mob territory (they grew up only a few blocks apart) and how it’s inescapable soundtrack influenced him deeply, as well as the unbeaten paths deep within the music-obsessed trenches we all love so well.

Sal Maida’s laid-back personality and his dextrous musical adaptability ensured he’d be in high demand once his chops were in place, and Four Strings, Phony Proof, and 300 45s solidifies his incredible knack for catching a rare opportunity every time it came across his path. His stories are nothing short of fascinating glimpses into a far-gone era, even to those of us with extensive piles of punk history books will rejoice at hearing. Watching a young, pre-X Exene Cervenka and “punk groupie” Farrah Fawcett Minor getting kicked out a Rick Derringer show in early 1977, which led to them becoming close friends and roommates, or Tom Waits getting into a fight with a cop in Sal’s defense in an LA diner, or seeing David Bowie perform an acoustic set with Mick Ronson in 1971 to a small room of people, it all has to be read to be believed, as well as all the other incredibly eye-opening tales contained therein.

Maida just happened to be in so many places when so many historic events transpired it will quickly make the reader green with envy. Maida’s amazing experiences straddled the line between mainstream 60s pop music, 70s proto-punk, and early New Wave like few others have, and he’s still luckily at it today, even recently touring with the likes of Mary Weiss of the SHANGRI-LAS, who personally wrote the back cover blurb on this book. Four Strings, Phony Proof, and 300 45s is the key to those lost tales of rock’n roll adventure, and we are very excited to finally share it with you, not to mention the last section of the book where Sal meticulously lists his 300 essential 45rpm singles, all with riveting footnotes sure to send you into a obsessive frenzy.

Foreword by Lenny Kaye

“Sal Maida – even the name sounded glamorous and exotic to a spotty and gauche teenager from the London suburbs obsessed with all things glam rock. With his noble mane, Granny Takes A Trip stage clothes, his blue Rickenbacker bass, his thunderous sound and…more than anything – he was in Roxy Music. And then he was in Milk N’ Cookies. And then he was in Sparks. The list goes on and on.”
–PHILIP KING, (Jesus and Mary Chain / LUSH / The Servants)

—————-

“Sal Maida is the real deal. Sal and I were born five months apart, so our history in music and our love of music go back a very long time. We are both from New York, born and bred. I was truly impressed to hear that Sal is writing a book about his adventures in the music industry. I toured with Sal in the U.S. and in Europe in 2007 and 2008, for my solo tour of the Dangerous Game album. It is a great pleasure to be on the road with Sal anytime.

One of my favorite images is of 6’-6” Sal crammed into an airplane seat for eight hours smiling and grooving to the music in his head phones. He always appears comfortable, even if he may be far from it. I consider that an art form in itself. When everyone else is getting stressed out from things going wrong on tour, he always manages to take it all with a grain of salt, a smile, and a kind word, which always made me calm the hell down.

War stories from the music business are always interesting to me, but when they come from someone who is such a fine musician, decent human being and never seemed to buy into his own P.R., it becomes real.

Sal Maida has lived and breathed music much of his life, now we get a peek inside the reality of that life. I did not know Sal in the sixties but it would have been a pleasure to work with him when my own group was on the road and traveling the world. I am sure we have seen many of the same concerts, and have met many of the same people.

Sal is an excellent musician, he also happens to be one of the nicest people I have ever met within the music industry. I consider him and his wife Lisa great friends.

Tell it like it is- Sal…”
–MARY WEISS, (The Shangri-Las)

Shipping March 2024

PRE-ORDER NOW: FOUR STRINGS, Phony Proof, 300 45s, & Bottom’s Up by Sal Maida

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Shipping Now: DISTURBING THE PEACE – 415 Records and the Rise of New Wave BOOK by Bill Kopp

HZB-014
362 pages, paperback
1st EDITION of 500 copies
ISBN: 978-1-7359985-3-4

: Shipping December 2021

ORDER HERE

In the late ‘70s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once-a-week spaghetti nights, colorful emcee Dirk Dirksen, and punk/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner (and fellow deejay) Chris Knab to launch a record label in support of that scene.

Disturbing the Peace: 415 Records and the Rise of New Wave is Bill Kopp’s chronicle of the groundbreaking independent record label founded by Howie Klein & Chris Knab, featuring the stories of Romeo Void, Red Rockers, Translator, Wire Train, Roky Erickson, The Nuns, Pearl Harbor and Explosions, and nearly two dozen other bands.

Based on nearly 100 interviews with the artists, industry execs, producers, friends, rivals, onlookers, journalists and hangers-on, Disturbing the Peace also features hundreds of photos and memorabilia from the personal archives of those who were there.

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Shipping Now: WHERE THE WILD GIGS WERE – A Trip Thru America’s Underground Music Venues BOOK by Tim Hinely & Friends

HZB-013
235 pages, paperback
2nd EDITION of 500 copies
ISBN: 978-1-7359985-2-7

: Shipping December 2021

ORDER HERE

When Tim from Dagger zine approached us about his book idea covering long-loved “spaces” held sacred for countless music fans, we knew it was a great project to get behind, Similar in its community effort to our last book release (The White Label Promo Preservation Society), Hinely organized an incredible list of contributors from all stripes of the underground music spectrum, each waxing their own warm recollections of wild nights seeing life-changing bands and/or terrible bathroom experiences.

Chock full of photos, original newspaper ads, flyers, and long-lost monthly calendars of the pre-Internet age, WHERE THE WILD GIGS WERE illustrates how important these sacred spaces really are, and how much it’s noticable when we can’t actually be AT these homes-away-from-home, spread all across the USA. From Stache’s in Columbus, OH to Flynn’s Ocean 71 in Miami, FL (the ‘CBGB’s on the beach’), back to The Brewery in Lansing MI (complete with previously unpublished Stooges photos!), to City Gardens in Trenton, NJ (staffed by Comedy Central’s Jon Stewart) to Peter Aaron’s sordid details on the mob-run Jockey Club in Newport, KY, you won’t find many dull moments as each page bleeds into the next, oozing with recollections of blurry good times and endless excitement before the world changed, as we know it,

With a Foreword by Byron Coley and an Afterword by Tesco Vee, you can just imagine how good it gets in between.

“Historically, “alternative music venues” (colloquially known as punk clubs) are known for a few things. These include lousy bathrooms, loose policing, mean soundmen, and treacherous load-ins. But for all that (and more), such hangouts are amazing places to discover the kind of music you weren’t really sure existed. The kind of messed-up sounds that exactly match the confusion of whatever era you happen to grow up in.

Sometimes these are dive bars in parts of town parents described as “dangerous” when you were a kid. It might take a few beers and several co-conspirators to get up the nerve to actually visit them for the first time. Sometimes they’re just established music clubs that get a new, enlightened booking agent for a spell. Sometimes they’re just random places that have some bands during a brief period, for reasons that can’t quite be augured. Whatever their initial draw might be, these venues all share the ability to turn people on to new music, and in doing so they often assume the aura of a personal clubhouse, regardless of the quality of their commodes.

…Writing this now, when so many of the current places that put on weird-ass shows are shuttered, some for good, it’s easy to imagine the era of great underground clubs is over. But there’s no doubt that once things have settled down, they will begin to sprout again, like strange mushrooms growing in the nation’s asscrack. Because there are always going to be a certain number of people who really don’t understand what functionally popular culture is about, and they will continue to seek fun and strange sounds. And I’ll be damned if they won’t find them. In places like the ones written about herein and also in settings that haven’t even been imagined yet.”

– Byron Coley

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SHIPPING NOW: The White Label Promo Preservation Society BOOK
by Sal Maida, Mitchell Cohen & Friends

Shipping JULY 2021

HZB-012
381 pages, paperback
SECOND EDITION of 500 copies
ISBN: 978-1-7359985-1-0

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ORDER BOOK + TOTE BAG HERE

: Shipping JULY 2021

HoZac Books is proud to present The White Label Promo Preservation Society: 100 Flop Albums You Ought to Know, written and compiled by Sal Maida and Mitchell Cohen, who have recruited for their “society” a gang of esteemed music obsessives: musicians, label executives, and journalists who chose favorite albums from the 1960s and 1970s to rave about and expound upon. The only criterion was that the albums never made the top 100 on Billboard’s LP Top 200 (although in a few cases, they did quite well on the R&B or country chart). The selection ranges from east coast vocal-group harmony to punk and metal, from superstars like The Who and the Beach Boys to virtual unknowns.

As Sal and Mitchell write in the book’s introduction, “These are the albums you might not read about, except here. No one needs to tell you why Pet Sounds, Revolver or Blonde On Blonde are essential parts of any decent record collection, or guide you towards classics – or even somewhat lesser efforts – by the Rolling Stones, Chuck Berry or the Jimi Hendrix Experience. Or which Pink Floyd album is indispensable (hint: the debut; you can stop right there). Although we have strong opinions about pantheon artists like Led Zeppelin and Marvin Gaye, and are happy to share those views with anyone in earshot, that isn’t what this book is about. We aren’t here to challenge or endorse rock orthodoxy. Neither is the mission to, once again, assert the brilliance of Skip Spence’s Oar, of such artists as Nick Drake, Big Star, and the Velvet Underground, whose influence, despite the lack of any commercial success in their time, has been thoroughly – one might even say exhaustively – documented elsewhere.”

To help tell this story, Sal and Mitchell called on an impressive team of guest essayists: Lenny Kaye, Russ Titelman, Amy Rigby, Brian Koppelman, Dennis Diken, Bebe Buell, Jim Farber, Susan Whitall, Steve Shelley, Phil King, Ira Robbins, Billy Altman, Marshall Crenshaw, Peter Holsapple, Wreckless Eric, Peter Keepnews, Miriam Linna, Joe McEwen, and a cast of dozens. Sal Maida has played bass guitar with Roxy Music and Sparks, was a member of the snappy NYC power-pop band Milk ‘n’ Cookies, and has chronicled his exploits as fan and musician in the HoZac book Four Strings, Phony Proof, and 300 45s. There is not much about rock music in the ‘60s and ‘70s that he doesn’t know, and it was quite an ordeal getting him to hone his list of underrated, underselling albums down to manageable length for these purposes. Mitchell Cohen has been writing about music and movies since the early ’70s (CREEM, Film Comment, High Fidelity, Musician, Phonograph Record…), was a major-label A&R guy for around a quarter-century, and is the co-author of Matt Pinfield’s memoir All These Things That I’ve Done, as well as the author of an upcoming book on Arista Records for RPM/BMG Books.

What you will find out here are things like how Evie Sands, with Any Way That You Want Me, made one of the most confident and accomplished albums by a female singer-songwriter before Tapestry. You’ll find out how Bobbie Gentry followed up “Ode to Billie Joe” and the LP of that title with a haunting, mysterious concept album. You will, in all likelihood, be introduced to the quirky New York folk-rock duo of Bunky & Jake, to the art-rock of Ars Nova, and to the entrancing psych-pop of Blossom Toes. Georgie Fame, Joe South, the Hollies, Jackie DeShannon, the Impressions, the Everly Brothers, and Nico, all pop up here, often in ways you might not expect. This is a book for everyone who has gravitated to used-record stores, garage sales and flea markets in search of something he or she hasn’t encountered before. You might be at a record fair, browsing with a friend through cardboard boxes, and have that friend say, “You need to hear this,” pretty much forcing an album you’ve never heard of into your hands.

This is the book version of that.

FOREWORD by DAVID FRICKE (Rolling Stone Magazine)

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ORDER BOOK + TOTE BAG HERE

: Shipping JULY 2021

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I Don’t Fit In: My Wild Ride Through The Punk and Power Pop Trenches with The NERVES and THE BEAT

HZB-009
272 pages, paperback
FIRST EDITION of 500 copies: SOLD OUT
SECOND EDITION of 500 copies: AVAILABLE SOON
ISBN: 978-0-9963319-9-9

After two long years of painstaking research and development, we present to you, the first major memoir covering the birth of DIY Power Pop, from Paul Collins. From its initial conception as a film script to its re-birth as a full-bore rock & roll revelation, this is one crazy story from beginning to end. Outlining the first National DIY cross-country tour by an unsigned band in 1977, and by default, creating the pathway for the true indie underground network of the 80s to take as a template. It wasn’t even a second thought for Collins and bandmates Peter Case and Jack Lee, but the underground rock & roll world is a better place for it. But until now, the real details of the origins of The Nerves, Breakaways, and The BEAT have eluded most of us, so with this tome of incredible survival stories from the trenches, Paul Collins opens up and reveals all the drama, victories and defeats with such an impassioned voice, you won’t be able to put it down. The coverage of the pre-Punk 1975 landscape of both LA and San Francisco is unmatched, and your mind will be BLOWN.

Featuring TONS of previously unseen photos, flyers and ephemera from the earliest days of The Nerves lineup as a FOUR PIECE, to the legal documents challenging The Paul Collins BEAT vs The English Beat, to the ill-fated Nerves reunion, and so much in between. Truly a smorgasbord of juicy details and revelatory discoveries await, balancing the failures with triumphs from the mid 1970s to the mid 2000s, when Paul returned to the touring circuit. From literally renting out a space for the first documented Punk show in Los Angeles in March of 1977, to The Screamers story about buying a copy of The Nerves EP at the Capitol Records swap meet and smashing it to pieces- it’s all in there, along with so many more soon-to-be-legendary tales from the real trenches you don’t usually rise out from unscathed…

ORDER HERE:

PROMO POSTERS :

Please Kill Me feature HERE

DANGEROUS MINDS chapter excerpt feature HERE

RockandRoll Army Review HERE

Paul Collins interview on Hanging On the Telephone Podcast HERE

Stream the Paul Collins’ BEAT video collection HERE: