Welcome to Hozac Books, your source for the best in limited edition underground music/culture reading & art publications.
When Can I Fly? The Sleepers, Tuxedomoon & Beyond – by Michael Belfer
Diary of An AdMAN: A History of Rock’n Roll Advertising – by Nathan Webber
Kill A Punk For Rock’n Roll – Photography by Marty Perez
Where The Wild Gigs Were – by Tim Hinely & Friends
The White Label Promo Copy Preservation Society: 100 Flop Albums You Ought to Know – by Sal Maida & Mitchell Cohen
Disturbing the Peace: 415 Records and Bay Area Punk/New Wave – by Bill Kopp
After two long years of painstaking research and development, we present to you, the first major memoir covering the birth of DIY Power Pop, from Paul Collins. From it’s initial conception as a film script to it’s re-birth as a full-bore rock & roll revelation, this is one crazy story from beginning to end. Outlining the first National DIY cross-country tour by an unsigned band in 1977, and by default, creating the pathway for the true indie underground network of the 80s to take as a template. It wasn’t even a second thought for Collins and bandmates Peter Case and Jack Lee, but the underground rock & roll world is a better place for it. But until now, the real details of the origins of The Nerves, Breakaways, and The BEAT have eluded most of us, so with this tome of incredible survival stories from the trenches, Paul Collins opens up and reveals all the drama, victories and defeats with such an impassioned voice, you won’t be able to put it down. The coverage of the pre-Punk 1975 landscape of both LA and San Francisco is unmatched, and your mind will be BLOWN.
Featuring TONS of previously unseen photos, flyers and ephemera from the earliest days of The Nerves lineup as a FOUR PIECE, to the legal documents challenging The Paul Collins BEAT vs The English Beat, to the ill-fated Nerves reunion, and so much in between. Truly a smorgasbord of juicy details and revelatory discoveries await, balancing the failures with triumphs from the mid 1970s to the mid 2000s, when Paul returned to the touring circuit. From literally renting out a space for the first documented Punk show in Los Angeles in March of 1977, to The Screamers story about buying a copy of The Nerves EP at the Capitol Records swap meet and smashing it to pieces- it’s all in there, along with so many more soon-to-be-legendary tales from the real trenches you don’t usually rise out from unscathed….
272 pages, paperback
FIRST EDITION of 500 copies:
It’s finally come to fruition. Chicago photographer & graphic designer Brian Shanley may best known for his work with Wax Trax! Records during the 1980s, but for the first time anywhere, Hozac Books has collected his seminal band photographs that he shot during his time before settling in at the record label’s art department. Most of these incredible shots are previously unpublished, and not even seen by many of the bands themselves. From 1976 to 1984, Brian Shanley fixated himself at the epicenter of whichever show was happening around Chicago (and a few from NYC and London as well) and locked in on the talent. Setting his craft apart from most of his photographer brethren, Shanley focused on portrait-style shots of bands that rarely ever sat still, and along with his trusty camera, was welcomed into a world where most people aren’t allowed to tread.
123 pages, paperback
FIRST EDITION of 400 copies: available below
Hozac Books is proud to present our third art book, I’m Just The Drummer the Bob Bert artist compendium of photography and interviews, establishing his irreplaceable link between the 1970s No Wave movement and contemporary noise rock. Although Bert’s immediate work is best known drumming in his wide array of musical projects he’s been involved with (such as SONIC YOUTH, PUSSY GALORE, CHROME CRANKS, LYDIA LUNCH, and many more) since the early 1980s, the focus of his book isn’t drum-centric as it is an encapsulation of the artistic world he’s developed within. It’s not a drumming instructional guide, or a critical assessment of how the drummers in bands are treated, but a 200+ page guide through Bob’s musically adventurous life, and what a ride! Starting out with his teenage love of photography and his process of capturing the underground downtown figureheads as well as the emerging unknown No Wave bands, Bob was just as much of an enthusiastic fan of music as he was a fixture in some of the most crucial music of the 1980s, 90s, and beyond. And that’s what’s really important in the long run, as his excitement for music bursts from each page, providing the springboard to his long-running life in bands on the fringe of the mainstream.
200+ pages, paperback
FIRST EDITION of 400 copies SOLD OUT
SECOND EDITION OF 400 available below
THERE WAS A LIGHT: The Cosmic History of CHRIS BELL and the Rise of BIG STAR
by RICH TUPICA
After FIVE solid years of painstaking research and hard work, Rich Tupica’s epic tome on the deep end of the BIG STAR story is ready. At 400+ pages, There Was A Light is stocked with a wealth of previously-unseen color photos, personal ephemera from the Bell family’s archive, as well as everything Ardent Studios could jam in, it’s nothing short of breathtaking stuff! Starting with intense coverage of Bell’s childhood bands and continuing deep into his post-Big Star solo work, this book delves into the details beyond the documentary, distilling countless hours of minutiae into a riveting oral history of one of rock’n’roll’s most beloved cult bands, and a trip through Memphis underground music history like no other.
400+ pages, oral history paperback
FIRST EDITION of 500 copies: SOLD OUT
SECOND EDITION of 500 copies: SOLD OUT
Madman’s Eye: The Art of Mac Blackout
The all-seeing Eye of Mac Blackout knows no visible boundary. After a solid 25+ years of neurotically-enthralling creativity across several media types, he finally has a book to show for all of his exciting and enduring hard work.
Around Chicago, his art has become inescapable, always peeking out from a storefront, a doorway, an alley, or one of his beloved garbage cans, his aesthetic has become an unofficial pock mark on the face of the city. But that’s only what you can see on the surface, as the tone gets darker the deeper you dig into his cadre of nightmarish delights, depicting the spectrum between twisted daydreams and fantastic exaggeration. Mac truly creates the demons you WANT around you, adding strange comfort to the mayhem and fear they would normally invoke. Madman’s Eye may be Mac Blackout’s first art book, but we’d wager it will not be his last.
First edition of 300 softcover
240 Pages, Full color monograph
Four Strings, Phony Proof, and 300 45s
by SAL MAIDA
HoZac Books is proud to present Four Strings, Phony Proof, and 300 45s, written by Sal Maida, one of the most interesting 1970s rock figures you just don’t know enough about. As a member of TWO such integral and ground-breaking 70s bands, ROXY MUSIC and SPARKS, not to mention NYC glam/power pop impresarios MILK ’N COOKIES, as well as studio work with the RUNAWAYS and Robert Calvert’s post-Hawkwind solo material, it’s no secret that Maida was in the right place at the right time, more times than we can count. His first book is presented here for the first time, along with his stash of personal UNPUBLISHED/UNSEEN photographs (including meeting Paul McCartney, George Harrison and Mick Jagger in 1969) on his first of many trips to the UK in the late 1960s, as well as many bands he witnessed in their embryonic states just as the monumental shift in music was taking place at the end of the psychedelic era. From his intricately-detailed stories about growing up in Little Italy’s protected confines, and his far-ahead-of-the-curve craze for record “collecting” before that was even a concept, this book takes you on a ride through Martin Scorsese’s mob territory (they grew up only a few blocks apart) and how it’s inescapable soundtrack influenced him deeply, as well as the unbeaten paths deep within the music-obsessed trenches we all love so well.
FIRST EDITION of 400 copies: SOLD OUT
SECOND EDITION of 400 softcover
Jaguar Ride: Memoir of an electric eel
by BRIAN McMAHON
Jaguar Ride: Memoir of an electric eel taps into the once impenetrable inner space of life around this ground-breaking “band” quite effortlessly. Like the eye of the universe opening up just enough for your weary legs to slip past and dangle in it’s toxic waters, McMahon leads us through his haziest experiences with incredible recollections of what it felt like to stand at the edge of the cliff of possibilities. The electric eels were true originals that streaked across time and space for a very short amount of time in the early-to-mid 1970s, creating nothing short of atonal atrocities glistening with punk promise. Deranged Rust Belt pop songs blanched in chemical waste and chopped mercilessly with a broken food processor and left for dead, only to be rediscovered when the coast was clear for cultures so noxiously curdled to finally thrive. Now that experience is finally here in book form for you to absorb and indulge, and as the mysteries of the eels go many layers deep, fear not and embody their pioneering spirit, finally in print.
300 pages softcover
1st edition of 500 copies
DENIM DELINQUENT 1971-76 Compendium
by Jymn Parrett
We are very excited to present to you, the first-ever official DENIM DELINQUENT fanzine compendium, the legendary monolithic bastion of proto-punk journalism. Quite possibly the equivalent of the ‘Dead Sea Scrolls’ of modern punk fanaticism, and one of the rarest self-produced publications to emerge from the pre-DIY years of the early 1970s. It’s such a shame how few sets of eyes have seen these primitive pieces in real life, and that’s why it was nothing short of prerequisite to forge this book into reality, which will undoubtedly set the clock back a few years on the standard “punk” timeline. We couldn’t be happier to see the free-form intertwining of heavy rock, proto-punk, and primitive power pop represented with such unbridled enthusiasm, in a time before it was compartmentalized, commodified, and repackaged for the suburban teen market. DENIM DELINQUENT is a true gem of unadulterated punk amateurism, condensed into an incredibly hard-edged slice of the early 70s you can immerse yourself in without pretense or punditry, a true pioneer of the underground press culture right at time in rock history where anything was possible, and the open-ended creativity ran wild.
200+ pages softcover
1st edition of 300 copies SOLD OUT – April 2016
2nd edition of 300: SOLD OUT – July 2016
Dare To Be Stupid: The Poster Art of Drug Factory Press
by Ryan Duggan
Dare To Be Stupid is the long-awaited and first-ever collection of Ryan Duggan at Drug Factory Press’ poster art from 2006-2014. Duggan uses a style that creates an instant reaction, whether it be disgust, elation, or a little of both, each and every design he’s cranked out is instantly identifiable and locks into a good place in your mind, even before you can process the “garbage-in, garbage-out” aesthetic that so warmly graces his creative work. As an artist employed by several music venues across the Chicagoland area, as well as having his designs featured at Michelin Star-rated restaurant/inn Longman & Eagle, Duggan’s work is ripe with snark, presented in a rudimentary starkness and ambiguity so effortless, it’s become an institution in a short amount of time, and we couldn’t be more excited to get his first book out into the world, and most importantly, into your hands.
120 Pages Softcover
1st edition of 300 copies SOLD OUT
Noise In My Head: Voices From The Ugly Australian Underground
by Jimi Kritzler
The Ugly Australian Underground documents the music, songwriting, aesthetics and struggles of fifty of Australia’s most innovative and significant bands and artists currently at the creative peak of their careers.
The book provides a rare insight into the critically heralded cult music scene in Australia. The author, Jimi Kritzler, is both a journalist and a musician, and is personally connected to the musicians he interviews through his involvement in this music subculture. The interviews are extremely personal and reveal much more than any interview granted to street press or blogs. They deal with not only the music and songwriting processes of each band, but in some circumstances their struggles with drugs, involvement in crime and the death of band members.
The book is complimented by previously unpublished photographs of all bands interviewed. The Australian underground scene in the last five years has been heralded not only in Australia but also in Europe, and particularly in America. Known as the ‘Australian Invasion,’ many of the bands interviewed in this book have received a great deal of hype and press in America, with many of the bands signing to American record labels. Bands featured in the book, such as The Drones, Eddy Current Suppression Ring, Royal Headache, Uv Race, Circle Pit, HTRK, Lost Animal, Oren Ambarchi, Total Control, Witch Hats, Deaf Wish, Blank Realm, New War, Holy Balm, Fabulous Diamonds, The Garbage and The Flowers, Straight Arrows, xNoBBQx, Naked on the Vague, Kitchen’s Floor and My Disco are all on American record labels, and have toured America at least once. Eddy Current Suppression Ring even lent their song ‘Memory Lane’ to an American telecommunications company advertisement, which was played repeatedly during the Super Bowl. While that may indicate the influence of the band in America at the more mainstream end of the spectrum, at the other end, Eddy Current Suppression Ring are a culturally significant and revered underground band, who play to thousands of people at any given show.
1st edition of 500 copies
500 Pages Softcover